Wrocław, Poland

Church Music

Muzyka kościelna

Bachelor's
Table of contents

Church Music at AMuz Wrocław

Language: PolishStudies in Polish
Subject area: arts
Kind of studies: full-time studies
University website: www.amuz.wroc.pl/language/en/

Definitions and quotes

Music
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). See glossary of musical terminology.
Music
Ere music's golden tongue
Flattered to tears this aged man and poor.
John Keats, The Eve of St. Agnes, Stanza 3.
Church
It is imperative that the contrasts between Christianity and Jesus be clearly revealed and strongly emphasized. First, because the real significance of Jesus is obscured by the widespread belief that organized Christianity truly reflects his religion; and second, because it will be practically impossible to abolish giant evils while they are hallowed by the blessing of the churches. As long as ministers and laymen labour under the delusion that contemporary Christianity is the same religion that Jesus practised they will remain immunized against his way of life and will lack the vision and power to overthrow entrenched iniquity.
Kirby Page, Jesus or Christianity (1929), p. 2.
Music
A chord is by no means an agglomeration of intervals. It is a new unit which, although dependent on the formative power of the single interval, is felt as being self-existent and as giving to the constituent intervals meanings and functions which they otherwise would not have.
Paul Hindemith (1952: 72). A Composer's World. Cambridge, Mass.
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